Friday, May 15, 2020

The Movie Les Miserables ( 2012, United Kingdom )

This project focuses on the movie Les Misà ©rables (2012, United Kingdom). The film is an epic romantic musical directed by Tom Hooper. As a film, Les Misà ©rables is based on a musical by Claude-Michel Schonberg and Alain Boublil that goes by the same name (Les Misà ©rables) and is also based upon Victor Hugo’s French novel - Les Misà ©rables, 1862 (Shoard n.p). This analysis looks at various elements of the movie ranging from the themes used in the film, its genre, artistic movement, the director’s style and the film’s representation on its country’s culture. The movie tells the story of an ex-convict by the name of Jean Valjean. Mr. Valjean resorts to change his life after getting inspiration from a kind hearted pastor. He ends up being a factory owner as well as a mayor in a one of the town’s in France. Even though he is focused on making positive strides, his past is something he is wary of. Valjean is wary of being recaptured by Monsieur Javert, a ruthless police inspector with the reputation of hunting down criminals and a strong belief that law breakers are not capable of change. One of Jean Valjean’s workers, a woman by the name of Fantine ends up as a prostitute after being cast out of the factory. She ends up dying and Valjean ends up feeling responsible for her demise. To make up for it, he adopts Fantine’s daughter Cosette offering to take care of her. When Cosette matures, they end up being embroiled in the political unrest that took place during the 1832 ParisShow MoreRelatedOrganisational Theory230255 Wo rds   |  922 Pagesstored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without either the prior written permission of the publisher or a licence permitting restricted copying in the United Kingdom issued by the Copyright Licensing Agency Ltd, Saffron House, 6-10 Kirby Street, London EC1N 8TS. All trademarks used herein are the property of their respective owners. The use of any trademark in this text does not vest in the author or publisher

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